Publications
This revision is from 2017/04/27 06:17.
2016
Biserna, Elena and Brandon LaBelle. "From the Self to the Other." Brandon LaBelle: Overhearing and Interrupting (Dijon : Les presses du réel, 2016), 273-82.
Biserna, Elena. “Une ponctuation sonore des trajets urbains sur les lignes de tramway du Mans/A sonic punctuation of the urban journeys on the tramway lines of Le Mans”. In Song-Line. Sonification du tramway du Mans. (Le Mans: Esba Talm, 2016), 67-73.
Joy, Jérôme and Peter Sinclair. eds. Locus Sonus : 10 Ans d’Expérimentation en Art Sonore, (Marseille : Le Mot et le Reste, 2015).
Biserna, Elena. "Tactiques artistiques et pratiques mobiles d’écoute médiatisée : entre 'révélation', 'superposition' et 'interaction'". Locus Sonus, 10 ans d’expérimentations en art sonore. Edited by Peter Sinclair and Jerome Joy (Marseille : Le Mot et le Reste, 2015), 193-212.
2015
Sinclair, Peter and Elena Biserna. eds. "Audio Mobility". Wi: Journal of Mobile Media, 9, 2 (2015).
Sinclair, Peter. "Inside Zeno’s Arrow : Mobile Capture and Sonification" Audio Mobility, Wi: Journal of Mobile Media, 9, 2 (2015).
Biserna, Elena. “Mediated Listening Paths: Breaking the Auditory Bubble” Audio Mobility, Wi: Journal of Mobile Media, 9, 2 (2015).
Biserna, Elena. "Elena Biserna in conversation with Brandon LaBelle." Room Tone. Edited by Brandon LaBelle (Berlin: Errant Bodies Press, 2015), 81-92.
Joy, Jérôme. ["Visiting, Weaving, and Modulating Sonic Expanses and Rhythms - Tuning, Improvisation, and Environmental Aesthetics"|http://wi.mobilities. ca/jerome-joy-visiting-weaving-and-modulating-sonic-expanses-and-rhythms-tuning-improvisation-and-environmental-aesthetics/] Audio Mobility, Wi: Journal of Mobile Media, 9, 2 (2015).
Joy, Jérôme. "Auditoriums Étendus et Espaces Raccordés". Prospective et Stratégie 4, 5 (2015): 29-54.
2014
Sinclair, Peter. "Sonification And Art." In Captation, JIM2014: Transformation Sonification, 157-165 (Bourges, 2014).
Biserna, Elena. “Living/Reviving Documents, Collections, Archives, and Atlases of Music and Listening. Notes on Christian Marclay's Work.” In Cosetta G. Saba, Francesco Federici (eds.), Cinema and Art as Archive: Form, Medium, Memory (Milan: Mimesis, 2014, peer-reviewed), 131-149.
Biserna, Elena. Translation and comment to “Thesis 5.” In Emanuele De Donno (ed.), UltraUltraRed. 10 Hypotheses on 10 preliminary theses on militant sound investigation (Foligno: VIAINDUSTRIAE publishing, 2014).
Biserna, Elena. “Altre musiche in altri spazi e tempi. AngelicA, Xing e Sant'Andrea degli amplificatori,” I martedì, no. 318, January 2014, 36-41.
Biserna, Elena. “Voci, soggetti, comunità. Una conversazione con Mikhail Karikis / Voices, Subjects, Communities. A Conversation with Mikhail Karikis,” Digicult, November 2014.
Biserna, Elena et al. “From Carla Lonzi's Autoritratto to Come una possibilità di incontro. Elena Biserna, Rita Correddu and Lucia Farinati in conversation,” Reflections on Process in Sound, edited by Iris Garrelfs, no. 2, 2014, 31-44.
Biserna, Elena, Rita Correddu and Lucia Farinati. “Convivio immaginario. Da Autoritratto a Come una possibilità di incontro”, UnDo.Net, January 2014.
Joy, Jérôme. ["Synema: Expanses through Connected Environments|http://liminalities.net/10-1/synema.html"] Liminalities, A Journal of Performance Studies 10, 1 (2014).
2013
Joy, Jérôme. "Auditoria & Audiences – ‘Shakkei’ 借 景 - The Out in the Open Listening Experience." In Angus Carlyle and Cathy Lane (eds.), On Listening(Devon: UniformBooks, 2013), 99-102.
Joy, Jérôme, Julien Ottavi and Christophe Havard (pizMO). ["Anté-Bruit - Composer le Tout-Audible/Études sur la musique noise - La Musique à Niveau Sonore Élevé - Musique-Environnement"|http://joy.nujus.net//w/index. php?page=PubliAnteBruit2013]. 2013.
Joy, Jérôme. "Questions d’Archives: Flux et Circuits." Pratiques, L’Auto- Archivage Immédiat comme Œuvre 22 (2013): 32-75.
Sinclair, Peter. Using real time data flux in art - the mediation of a situation as it unfolds - RoadMusic – An Experimental Case Study. Thesis submitted in fulfillment of the requirements of the University of the Arts London for the degree of Doctor of Philosophy (Research director : Angus Carlyle - CRiSAP, LCC).
Sinclair, Peter. "L’Art de la Sonification en Temps Réel". Dans actes du colloque Obs/IN 2011. Sous la direction de l’Observatoire des Images Numériques, 121-131. ENSP École Nationale Supérieure de la Photographie Arles, ESA École Supérieure d’Art d’Aix en Provence, 2013.
2012
Sinclair, Peter. ed. Sonification (what, where, how, why). AI&Society (Springer) 27, 2 (2012).
Sinclair, Peter. "Living with Alarms: The Audio Environment in an Intensive Care Unit," AI&Society (Springer) Sonification (what, where, how, why). 27, 2 (2012) : 269-276.
Sinclair, Peter. "RoadMusic," AI&Society (Springer) Sonification (what, where, how, why). 27, 2 (2012) : 311-313.
Gresham-Lancaster, Scott and Sinclair Peter. "The relationship of spatial acoustics to listening, of real-time to narration and how this relates to ideas of gestalt perception." LMJ Leonardo Music, Acoustics, 22 (2012): 67-71.
Biserna, Elena. dir. Section "Son & Musique/Sound & Music". The Open Future. Free Culture, MCD – Musiques et cultures digitales, 68 (2012): 37-51, 102-109.
Joy, Jérôme. "What NMSAT says about Sonification." AI & Society : Sonification (What, Where, How, Why) 27, 2 (2012): 233-244.
2011
Sinclair, Peter, Yvonne Hubner and Atau Tanaka. "RoadMusic: Music For Your Ride From Your Ride." In Adjunct Proceedings Automotive UI. Salzburg, 2011.
2010
Joy, Jérôme. "Une Époque Circuitée – Réflexion sur l’organologie des arts en réseau: le passage de l’Internet à un état musical." Intermédialités - Histoire et Théorie des Arts, Lettres et des Techniques: Programmer 13 (2010): 57-76.
2009
Joy, Jérôme. "Networked Music & Soundart Timeline (NMSAT): Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References." Contemporary Music Review: Network Performance 28, 4/5 (2009): 449-490.
Joy, Jérôme et Peter Sinclair. "Networked Music & Soundart Timeline (NMSAT): A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening". Contemporary Music Review: Network Performance 28, 4/5 (2009): 351-361.
Jerome, Joy and Peter Sinclair. "Espaces Sonores en Réseau - pratiques de la recherche en art, Locus Sonus." In Samuel Bianchini (ed.), Recherche & Création - Art, Technologie, Pédagogie, Innovation, pp. 122-139 (Paris: Éditions Burozoïque/Les Éditions du Parc, École Nationale Supérieure d’Art de Nancy, 2009).
Salmona, Esther. "Carpophores, journal de stream, poésie". Extraits dans Process Bleu (2008).
2008
Jerome, Joy and Peter Sinclair. "Networked Sonic Spaces." In GlobalWare Corporation (eds.) Roots/Routes, International Computer Music Conference ICMC’08, pp. 553-555 (Belfast : SARC, Sonic Art Research Center, Queens University, & International Computer Music Association ICMA Publishers, 2008).
Salmona, Esther. Carpophores journal irrégulier d’écoute de flux sonores en temps réel. Dernière modification 19 mai, 2010. http://carpophores.blogs- pot.fr/
Salmona, Esther. "Sujet à Stream." In Sophie Gosselin and Franck Cormerais (eds.) Poétique(s) du Numérique, 143-156 (Montpellier: L’Entretemps, 2008).
Salmona, Esther. "Carpophores, journal de stream, poésie". Extraits dans Les cahiers de Benjy. 2008. http://benjamincompson.srwebworks.com/
2007
Sinclair, Peter. "Locus Sonus." In Angus Carlyle (ed.), Autumn Leaves — Sound and the Environment in Artistic Practice, pp. 74-77 (Paris : Double-Entendre, 2007).
Last changed 2023/03/13 15:35