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// 2007/12/14 00:52 / 213.56.149.33 http://www.createdigitalmusic.com/images/stories/2006/oct/octal.jpg !Game Enviroments (sound/music) !!!non-linear revision by alejo duque (work in progress initiated on nov.30 2007) Moments to consider: "In 1972, Pong the first video game which includes sound comes onto the market. Six years later the game “space invaders” hits arcades with its menacing, paranoia-inducing soundtrack. It is an example of simple, effective sound design; the thumping audio track actually accelerates in tempo as the enemy invaders draw nearer– and move faster. The following year Asteroids– another arcade game– employs a similar sound technique to achieve the same results.At the beginning of the 80's PacMan makes its debut. The game boasts many memorable sound and music elements" Still today, 2007 midi sound files seem to be the base for video games music as one can check via the archive of this site dedicated to keep track of a collection of midi files that are in the range of the commodore64 to the wii plus all sort of arcade games: http://www.vgmusic.com/ Theres a station that plays them here: !!Video Games net.radio http://ftp.emulationzone.org:26038/ The silent Moo (MUD - Multi User Dungeon) based on personal experience using lamdamoo towards a "global theather" performance directed by adrianne wortzel back in 1997 after the polar circuit in Tornio, Finland. Doing such historical revision makes sense to me if done in the scope of an anarcheological recall of media that can help trace the development of the use of sound, from Pong to the DS to the sound of electroplanktum (http://en.wikipedia.org/wiki/Electroplankton here the video: http://video.google.com/videoplay?docid=4439496341187280535&sourceid=docidfeed&hl=undefined) Is also crucial to locate in such timeline the origins and uses of speech synthethizers. A good exmple of technological simplification could be the sample audio track of lsdj for the gameboy. "LSDJ Little Sound Dj, tool of choice for amateur & professional musicians and composers!": http://mp3death.us/tute/lesson01.php listing of synths available in Second Life to buy with real money: http://shop.onrez.com/search/?SearchString=synth&SearchIn=items_all_items&x=0&y=0 !!Extended Mode: !!!streamlab http://www.streamlab.info !!!PacManhattan > to play in the 1st life (natural sounds and ambient) !!!fijuu >> 3d engine to demo, mix between game and video as in vj !!!playsh >> silent coding game in the style of the Moo. A follow up --> http://www.streamlab.info.nyud.net/wikini/StreamWars !!!fluxus and al-jazari >> from dave griffiths scheme code to live-code realtime music and visual representations !!!Ludic Society >> the third life LIFE-CODING (xxxxx) !!Emulators ps2onlinux: http://www.pcsx2.net/ DOSmultiplatform: http://dosbox.sourceforge.net Dreamcast on linux: http://www.lxdream.org/news/ +all the NES (nintendo emulators around) !!references http://gamestudies.org/ http://playsh.org/wiki/InspirationalProjects http://www.sterneck.net/musik/bey-immediatism/index.php [interview to a game developer] Play Along - An Approach to Videogame Music by Zach Whalen --> http://www.gamestudies.org/0401/whalen/ !!not to forget! -dig for the link to that SL clone for musicians >> U2 in SL: http://www.u2insl.com/ (video): http://www.youtube.com/watch?v=Mro9Qzv--k8 >> REZ http://www.youtube.com/watch?v=lp89LjiYAcA&feature=related !Español El uso de la localizacion exacta de sonidos (lease fuentes sonoras) y su movimiento en el espacio es algo relativamente reciente no solo en el area de la composicion acustica, el cine o los juegos de video. Dicho interes se ha desarrollado de la mano con los avances tecnologicos en el campo de la computacion. Es decir, el area de la electroacustica no ha estado al margen del desarrollo de software particularmente de la arena de uno de los vectores que hala con mayor vigor el del desarrollo de hardware. Me refiero a la industria de los video juegos. Sin hacer un recuento detallado o historico de dicho orden cronologico pero si con el animo de poder sobre imponer la linea de tiempo del cine con la de los video juegos y la de la electroacustica para asi tal vez descubrir los puntos de cruce de dichas practicas. |
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