locus sonus > Symposium sonification.en
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symposium mar2010
Sonification (what, where, how, why)
LOCUS SONUS audio in art
http://locusonus.org/
from the 4th to the 5th of March 2010
École Supérieure d'Art d'Aix en Provence
http://www.ecole-art-aix.fr/
MMSH - Maison Méditerranéenne des Sciences de l'Homme
http://www.mmsh.univ-aix.fr/
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argument
Symposium Sonification (what, where, how, why)
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The purpose of this symposium is to conduct a state of the art review of the use sonification* within art projects, with a focus on the use of data taken from our surroundings (in a broad sense) as opposed to gestural interfaces or electronic instruments.
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a) What distinguishes sonification from other forms of data mediation ?
b) What are the different ways in which sonification is used in art ?
c) What parallels, similarities, differences & contradictions exist between the use of sonification or audio display for technical & for artistic purposes ?
d) What differences in the artistic approach does the use of realtime as opposed to recorded data imply ?
e) What is the importance of the relationship between the source of data and the way in which it is mediated ?
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* “Sonification is the use of non-speech audio to convey information data to sound”. G. Kramer, B. Walker, T. Bonebright, P. Cook, J. Flowers, N. Miner, and J. Neuhoff, “Sonification report: Status of the field and research agenda,” Tech. Rep., International Community for Auditory Display, 1999, http://www.icad.org/websiteV2.0/References/nsf.html.
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presentation
The symposium SONIFICATION will be organized as a series of 4 half day round table debates + 1 evening sessions where participants are invited to propose demonstrations, performances or documentation of work related to the theme.
The Symposium is organized by Locus Sonus (École Supérieure d'Art d'Aix en Provence, École Nationale Supérieure d'Art de Nice Villa Arson) and LAMES MMSH (Laboratoire Méditerranéen de Sociologie) in partnership with CRiSAP (Creative Research into Sound Arts Practice, LCC Univ. of the Arts London), IMERA (Institut Méditerranéen de Recherches Avancées) & Seconde Nature.
Observers : Jean-Paul Ponthot (ESA Aix en Provence), Cathy Lane (CRiSAP UAL London).
The schedule is as follows:
- On Thursday the 4th, two round table sessions of half a day will be held at LAMES MMSH
- On Thursday evening, Second Nature is set aside for demos and performances at Seconde Nature.
- On Friday the 5th, two other round table sessions of half a day will be held in the amphitheater at l'Ecole Superieure d'Art d'Aix en Provence.
programme
4th to 5th March 2010
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THURSDAY 4 MARCH |
LAMES MMSH (Maison Méditerranéenne des Sciences de l'Homme, salle Paul Bert Février) |
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access map
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9:00am |
Jérôme Joy (Locus Sonus) |
What NMSAT* says about sonification |
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→ biography Joy
→ url |
9:30am |
Roundtable 1 :
moderator: Roger Malina
Proposed panel :
Peter Gena
Lee Patterson
Victoria Vesna
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There is more space beneath: nano, micro data
Sonification of DNA
Bubble Music
Sound, Science and Consciousness
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→ biography Malina
→ biography Gena → biography Patterson → biography Vesna |
12:00am |
Break for lunch |
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2:00pm |
Roundtable 2 :
moderator: Peter Sinclair
Proposed panel :
Jean Cristofol
Stuart Jones
Atau Tanaka
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Humans, habitat and sonification
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People and Data, space to sound : representation, perception and performativity
Views Into Acts of Sonification
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→ biography Sinclair → biography Cristofol → biography Jones → biography Tanaka |
4:30pm |
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(Seconde Nature, Aix en Provence downtown) |
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6:00pm to 10:00pm |
Audition & Performances
(in-progress programme)
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• (DJ) Jean-Paul Ponthot (listening session) •
Jens Brand (G-Turns) •
John Eacott (Hour Angle) •
Peter Gena (DNA installation) •
Scott Gresham-Lancaster (McCall.DEM) •
Marty Quinn (video) •
Lee Patterson (Nut Burn) •
Victoria Vesna (video-sound work) •
Valentina Vuksic (Tripping Through Runtime) • Peter Sinclair (RoadMusic) • |
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* Networked Music & SoundArt Timeline - A panoramic view of practices & technics related to sound transmission and distance, edited by Jérôme Joy, http://locusonus.org/nmsat/ |
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FRIDAY 5 MARCH |
École Supérieure d'Art d'Aix (amphi) |
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access map
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9:30am |
Roundtable 3 :
moderator: Samuel Bordreuil
Proposed panel :
Alejo Duque
Scott Fitzgerald
Florian Grond
Peter Sinclair
Valentina Vuksic
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Sonification and artifacts
Unwary Instruments
Protocol
Historic music/technological perspective
RoadMusic - AutoSync
Tripping Through Runtime
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→ biography Bordreuil
→ biography Duque → biography Fitzgerald → biography Sinclair → biography Vuksic |
12:00am |
Break for lunch |
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2:00pm |
Roundtable 4 :
moderator: Angus Carlyle
Proposed panel :
Jens Brand
John Eacott
Scot Gresham-Lancaster
Marty Quinn
Lorella Abenavoli
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Transforming Geography
G-Turns
Flood Tide & Hour Angle : environmental sonifications
Remapping: Interest and Abstraction in converting "hard" data for artistic sonic uses
MoveMusic : The Perception of Art, Dance, and Science Through Image and Movement Sonification
La sonification dans les arts visuels et médiatiques : une remédiation de l'empreinte (Sonification in digital arts : impressions' remediation)
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→ biography Carlyle → biography Brand → biography Eacott → biography Gresham-Lancaster → biography Quinn → biography Abenavoli |
4:30pm |
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5:00pm |
(end of the symposium) |
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The symposium is semi-public. Thanks to subscribe and to send a message to d'Anne Roquigny admin@locusonus.org
Video and audio documentations: Solange Grenna et Fabien Artal. English and French translations : Céline Artal. |
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map & contacts
Contacts
Anne Roquigny: admin (at) locusonus.org mob: +33 (0)6 62 11 04 54
Jérôme Joy: joy (at) nujus.net
Access to École Supérieure d'Art d'Aix en Provence
http://www.ecole-art-aix.fr/rubrique2.html
(Click on the picture)
Access to MMSH (Maison Méditerranéenne des Sciences de l'Homme)
Université de Provence - Centre National de la Recherche Scientifique - Université Paul Cézanne
http://www.mmsh.univ-aix.fr/default.asp?action=venir
(Click on the picture)
documentation and
images: Locus Sonus Lab
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